Life of November: Joon Park's References//Art Blog

The little one lost

Thu, 23 May 2013 00:27:06 -0700

The little one lost

iheartmyart: “Abduct” - Amie Dicke, 2008

Tue, 21 May 2013 22:08:50 -0700

iheartmyart:

“Abduct” - Amie Dicke, 2008

fuckyeahphotography: sunset over niagra falls

Tue, 21 May 2013 22:08:46 -0700

fuckyeahphotography:

sunset over niagra falls

graphicporn: Eli Craven

Tue, 21 May 2013 22:08:44 -0700

graphicporn:

Eli Craven

hyperallergic: Amy Lauren, “Special Friends” (2012)

Tue, 21 May 2013 22:08:40 -0700

hyperallergic:

Amy Lauren, “Special Friends” (2012)

collageartbyjesse: meyer jeffrey “goofbutton” meyer is a huge...

Tue, 21 May 2013 17:03:31 -0700

collageartbyjesse:

meyer

jeffrey “goofbutton” meyer is a huge inspiration for me. check out his work here:www.facebook.com/artbyjeffreymeyer

society6 tumblr facebook twitter

heathwest: Peter AlexanderLugo, 2009Cast Polyester Resin7 1/4 x...

Tue, 21 May 2013 15:02:06 -0700

heathwest:

Peter Alexander
Lugo, 2009
Cast Polyester Resin
7 1/4 x 8 3/4 x 8 3/4”

deadsymmetry: Larry Vigon

Tue, 21 May 2013 15:01:57 -0700

deadsymmetry:

Larry Vigon

museumuesum: Charles Atlas Joints 4tet for Ensemble, 1971 -...

Tue, 21 May 2013 15:01:51 -0700

museumuesum:

Charles Atlas

Joints 4tet for Ensemble, 1971 - 2010

Super 8mm film transferred to video, 4 channel video, colour. 4 channel sound using material recorded by John Cage, 10 Sony monitors, 4 studio monitors, metal stands, programmed projection lights and 4 flash players

duration, 13:12 mins

Joints 4tet for Ensemble (1971-2010), an installation of Super-8 colour films of the dancer Merce Cunningham shot by Atlas in 1971. One afternoon, after rehearsal in Irvine, California, Merce Cunningham and Charles Atlas went out of the back door of the dance studio to a raised concrete dock and started to film. As Cunningham articulated his joints in a minimal dance Atlas filmed in a variety of ways with his new Super-8 camera, shooting close-ups of Cunningham’s wrist, elbow, ankle, and knee. The films capture Cunningham’s unique style of movement. Atlas experimented with different frame rates and levels of blur, but mainly focused on following Cunningham’s moving joints as if carefully observing a strange animal. Atlas cannot entirely recall all the circumstances surrounding the filming, only that it was purely experimental. The artists made nine short films in total, most of which were extended continuous hand-held shots.

For the installation Joints 4tet for Ensemble, Atlas brings the resulting films together for the first time, editing the material into four channels of synchronized video and showing them across a choreographed arrangement of ten different sized monitors; some placed on mono-stands, some on rolling carts, and others grouped in pairs. With this configuration of monitors Atlas harks back to ideas first used in 1978 in the creation of Fractions I and Fractions II; a video/dance collaboration he made with Cunningham. Each monitor is orchestrated to broadcast the observation of an autonomous trail within the overall choreography of the group; reflecting Atlas’ ongoing interest in tracking the movement of dancers in and around a studio. The visual elements of Joints 4tet for Ensemble are accompanied by four channels of collaged sound. These are reworkings of ambient sound recordings made by John Cage in the 1980s whilst on his travels to cities around the world with his long-term partner Merce Cuningham. As the sound plays out across the monitors, projection lamps cast multiple and shifting shadows over the surrounding walls of the installation.

theartofanimation: Chen Wei

Tue, 21 May 2013 15:01:45 -0700

theartofanimation:

Chen Wei

theartofanimation: Greg Capullo

Tue, 21 May 2013 15:01:40 -0700

theartofanimation:

Greg Capullo

theartofanimation: Greg Capullo

Tue, 21 May 2013 15:01:36 -0700

theartofanimation:

Greg Capullo

Photo

Tue, 21 May 2013 15:01:32 -0700

ancientart: The Incan archaeological site of Rumiqullqa, Peru....

Tue, 21 May 2013 15:01:29 -0700

ancientart:

The Incan archaeological site of Rumiqullqa, Peru. It is located in the Cusco Region, Quispicanchi Province, Lucre District.

Photos courtesy & taken by Håkan Svensson.

artruby: Jean-Bernard Métais, The Wave, (2007).

Tue, 21 May 2013 15:01:25 -0700

artruby:

Jean-Bernard Métais, The Wave, (2007).

theartofanimation: Charles Santoso

Tue, 21 May 2013 15:01:21 -0700

theartofanimation:

Charles Santoso

photojojo: In searching for a special way to photograph her...

Tue, 21 May 2013 15:01:16 -0700

Amelia Earhart

Coco Chanel

photojojo:

In searching for a special way to photograph her daughter Emma on her 5th birthday, Jaime Moore decided to dress her up as the most influential women in history. She writes about the series:

I wanted her to know the value of these amazing women who had gone against everything so she can now have everything.

5-Year-Old Dresses Up as the Most Influential Women in History

via Bored Panda | Facebook

theartofanimation: Jonatan Cantero

Tue, 21 May 2013 15:01:12 -0700

theartofanimation:

Jonatan Cantero

thequietfront: Dara Scully

Tue, 21 May 2013 13:29:21 -0700

thequietfront:

Dara Scully

Anyone know who’s work this is?

Tue, 21 May 2013 13:29:15 -0700

Anyone know who’s work this is?